No. 3, June 2014, 152 pp. (b/w ills.), 148.5 × 210 mm, ISBN 978-2-9545184-2-8, 3 parts:

1. mémoire: Valentine Baillot, Approche critique: l’Arte Povera de Germano Celant (French)
2. propos: Daniel Jablonski s’entretient avec Pedro França ⁄ Daniel Jablonski conversa com Pedro França (French ⁄ Portuguese)
3. notes: Martin Laborde, Sac

25.6.2014, 6pm
Bibliothèque Kandinsky
Centre Pompidou

Rue Beaubourg, 75004 Paris


octopus notes 3 launch!
mémoire 3. Valentine Baillot, Approche critique: l’Arte Povera de Germano Celant, preview

pp. 2–17. cahier d’images

pp. 29–56. 1967–1971: les années de genèse de L’Arte Povera

pp. 57–76. Années 1980: la reprise de l’étiquette Arte Povera

pp. 91–92. Conclusion

propos 3. Daniel Jablonski s’entretient avec Pedro França ⁄ Daniel Jablonski conversa com Pedro França, preview

pp. 1–18. Daniel Jablonski s’entretient avec Pedro França

colophon

editors

Alice Dusapin
Alice Pialoux
Claire Saillard

design

Marc Touitou

with & about

Daniel Jablonski, Germano Celant, Martin Laborde, Pedro França, Valentine Baillot

printing
Trèfle Communication, Paris

thanks

Daniel Jablonski, Pedro França, Lucas Cureau, Mariana Moura, Bibliothèque Kandinsky, Didier Schulmann, Mica Gherghescu, Centre national des arts plastiques, Laurence Dalivoust, Isabelle Manci, Maxime Guitton and Marc Touitou, without who this issue would not have been published.

memoire 3. © Valentine Baillot & Éditions octopus notes, Paris. All rights reserved. propos 3. © Daniel Jablonski, Pedro França & Éditions octopus notes, Paris. All rights reserved.

For all reproductions of works, documents and texts. All rights reserved, including reproduction in whole or in part in any form whatsoever.

With the support of Centre national des arts plastiques.